storyboarding 101.

I'm find myself a little overwhelmed. There is much to do; so much, in fact, that it's difficult to see where I should start. Should I take some drawing lessons? Maybe learn a thing or two about composition? Backgrounds? When you don't know much about visual art, it's likely that you'll find yourself feeling lost.

I started watching the tutorials of a brilliant artist called Daniel Gies, who explains the creative process of his animation studio, e.d. Films. It's faschinating stuff to me, and I whenever I watch his videos, I feel like I'm seeing some kinf of stunt performance where I turn to Stefan and I exclaim: "Oh, man, did you see that? Did you see what he did there?". Anyways, he emphasized on the importance of storyboarding before you begin your animation - something I hadn't even considered before he mentioned it. Gies recommended a book called "Directing the Story" by Francis Glebas. I just started it yesterday and it truly is very informative - you never think about how much work goes into the entire process of animation and this gives me a lot of insight into what I have to do in order to present my story effectively. I'm still in the beginning and I'm already getting all sorts of new ideas that I hadn't considered before, which is excellent.

I decided to start learning about storyboarding because 1. the book is really interesting and I just kinda wanna read it anyway, 2. because I can't draw. I really can't draw, you guys. And it goes beyond being able to make a horse look like a horse (which I regularly and hilariously fail at), I lack the skills required to make an image compelling and interesting - that's why I probably should get a book on composition and read that, too. I also believe storyboarding will help me not feel like there's an enourmous amount of work that has to be done - there will be, don't get me wrong, but a visual script of my movie will give me a sense of direction that will keep me motivated.

So this is where I start from. And since the book mentions preparation as a vital step towards creating a successful storyboard, this is what I will put my energy in in the next time.

let me tell you about Hadestown.

My biggest problem with blogs is usually the fact that I forget I have them or I run out of things to say. Or I just become disinterested in the topic. My solution is simple - center this blog around my biggest dream and have it follow my path to acomplishing it.


Having said that, allow me to tell you about Hadestown.

Considering it is now one of the most important music albums in my life, it might be surprising to hear that I didn't like Hadestown that much in the beginning. This was a story about some of my favorite characters - I've always been fascinated by greek mythology and the story of Hades and Persephone in particular - and they did not sound anything like I pictured in my head. Persephone was too aggressive, Hades was too serious, Eurydice had way too much to say for my liking... But for some unknown reason, I kept listening and, eventually, I was hooked. No, I was obssessed. I listened to this album religiously from beginning to end every time I had an hour to spare. I told my friends about it and discussed it with them. For a while, I didn't listen to a lot of other music simply because all of it felt superficial and meaningless in comparison.

Hadestown is a concept album about the story of Orpheus and Eurydice. It very much feels like a musical and does something very difficult: it creates a very vivid world and characters that you become invested in. Often, on the long 9-hour train trips to my home town, I'd listen to every song and imagine everything that it described. I'd think about how amazing it would be to stage a play based on it. Then I thought about taking photos of paper cut-outs and making them act it out. Then I thought that maybe, if I taught myself how to do it, I'd be able to do it on a computer and... oh. Animation. Animation is what I'm thinking of.

Well, why not?

I made my first animated "movie" when I was 12. My amazing computer science teacher did something great by not wasting our time with lessons about how to create new folders and shortcuts and took us straight to things like Macromedia Flash and coding. By the time I was 14 I could make websites and that gave me a rush like I've never known before. I was a terrible drawer (and still am, more on that later), but I knew I could animate things and took shortcuts by making entire photographs of people move and talk to each other by putting subtitles beneath them. Then I started drawing, but wasn't confident enough to do faces, so I just used to cut out the heads of my friends and family from photos (very much like a serial killer) and put them on a very poorly drawn body. When my puppets talked, they would bob their heads maniacally and, if I was brave enough, I'd record myself saying the lines or make my parents say theirs on my shitty $10 microphone. And I loved every minute of it.

I'm 10 years older now, so of course things are going to be different. I'll be using After Effects instead of Flash even though I don't know anything about this software, but I'll learn. I'll learn because I want to do this right. I want to read about how things like this are done and follow a set of rules so that what comes from all of this in the end makes people go: "Wow. I can't believe you made that".

first.



In a lot of ways, this blog will feel a lot like a diary to me.

I cannot describe you the amount of experience I have with first pages of diaries. I am a pro at this stuff. I have a whole structure and everything. There is a certain check-off list that exists for this very speific type of literature(?) and I can honestly say that I'm very close to mastering it.

1. start off with a one-liner or witty sentence to get things going;
2. talk about how often you've had to write first pages of diaries because you are just so inconsistent and irresponsible and something as equally as self-deprecating because critisizing yourself makes you seem like you're very in touch with who you are;
3. do not forget to mention how skeptical you feel about making this blog/diary a long-term commiment. If you're 14 years old and in your "angst" phase, you can kind of make an analogy about your fear of commitment in romantic relationships and/or hint at the fact that you believe you'll never find true love in your life.
4. sort of talk about what this blog/diary is going to be about? maybe. you'll figure it out.
5. end with a one-liner or, if you're feeling extra pretentious, a quote by an author whose books you've never read.

You can also causally mention some cool song or a movie that you've been enjoying lately so that you can find this blog/diary in two years and bury your hands in your face in sheer shame and disappointment. Hey, future me, how about them Fleet Foxes, huh?

The truth is, this might not work out at all. Most likely it won't. Not because of some cliche fear of commitment or a busy schedule, but because I forget. I forget and I'm lazy. And sometimes writing feels like a chore. And because when it's 9pm I'd much rather watch an Onion video than to sit down and make up things to say.

But what I can confess is that this is important to me - it has been everytime I've written one of my first pages - and I can't promise that I'll keep going, but I'll try. I'll try.

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